‘Up and Down’ by EXID is my new jam.
‘HER’ by Block B is my new jam.
Manic surf rock with hand claps and chanting. SIMPLE PLEASURES EH. Current music chart show MVPs, who’d have thunk?
In other #summer news I want to tell all of you that the album tracks on Boyfriend’s “Obsession” mini are way *way* better than the title track (e.g. Deny, Alarm); also SISTAR’s new mini is rly rly good.
Previously I was in Hong Kong and Seoul, and now I am in Tokyo :)
I’ll be here until Monday - what should I do/see/eat? Anyone have requests for stuff you’d like me to pick up for you? I was going to head down to Kyoto for a couple days, but with the typhoon coming I might as well stick around here at least until Thursday afternoon, and fulfill requests.
Saw this with a co-worker at the end of a long work week (I’m now working 8-4 every weekday and 10-5 every Saturday, plus commuting time and 1-2 evenings a week, which is why I haven’t been posting here much). I thought it was going to be a stupid three-hour blockbuster, like Apocalypto or 10,000 B.C., and it was in a way, but it was also WAY weirder, so when Darren Aronfonsky’s name came up in the credits I was like oh yeah that explains it.
The main thing that makes the movie weird is that it completely lacks the three-act structure of a modern blockbuster movie, or really any sense of cinematic pacing at all. Many individual scenes do have a dramatic build, especially the ones that develop Russel Crowe/Noah’s puritanical zealotry*, but there was also a tendency after about the halfway point to try to wring maximum melodrama out of EVERY domestic scene, which leaves you-the-viewer with no sense of which scene is a “climax” and therefore no sense of when the movie is going to end.
(After the Ark reaches land, presumably - but then the movie continues for another half an hour, RoTK style.)
Spoilers behind the cut!